Shows opening in Washington and Dublin this month explore quiltmaking by African American women. Ben Luke talks to Raina Lampkins-Fielder, chief curator for the Souls Grown Deep Foundation, and the organiser of the exhibition Kith & Kin: The Quilts of Gee’s Bend at the Irish Museum of Modern Art (IMMA), about the history of quiltmaking in this small part of Alabama, and the growing recognition of its artistic importance.
Louisiana P. Bendolph, Medallion (2006)
Photo: Stephen Pitkin/Pitkin Studio. © Louisiana Bendolph, Artists Rights
The Musée Picasso in Paris this week unveiled its exhibition “Degenerate” art: Modern art on trial under the Nazis, which looks back not just at the infamous 1937 exhibition in Munich but also the years-long campaign to attack modern art and artists in Germany in the 1930s and 1940s. We speak to the exhibition’s co-curator, Johan Popelard.
Adolf Dressler (1898-1971), cover of the exhibition guide for the exhibition Degenerate Art, Entartete Kunst Ausstellungsführer (guide to the exhibition Degenerate degenerate exhibition, 1937)
Photo: © mahJ / Christophe Fouin
And this episode’s Work of the Week marks the death last week of Mel Bochner, a leading figure in the development of conceptual art.
Mel Bochner, 48" Standards (#1) (1969)
Mel Bochner; Peter Freeman Inc. All Rights Reserved
We speak to his gallerist, Peter Freeman, who knew and worked with Bochner for more than 50 years. We look in particular detail at the 1969 work, 48" Standards (#1).
- Kith & Kin: The Quilts of Gee’s Bend, IMMA, the Irish Museum of Modern Art, Dublin, until 27 October; We Gather at the Edge: Black Women and Contemporary Quilts, Renwick Gallery, Smithsonian American Art Museum, Washington, DC, 21 February-22 June; Fabric of a Nation: American Quilt Stories, Frist Art Museum, Nashville, US, 27 June-12 October
- “Degenerate” art: Modern art on trial under the Nazis, Musée Picasso, Paris, until 25 May
